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Some whiny bitches on my TV - is it Brothers and Sisters? |
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Twenty-eight-year-old Natalie Horler is the face of Cascada, and it’s her powerful voice which sets the German Eurodance outfit apart in a genre where artists are often interchangeably anodyne. Part girl-next-door, part Ann Summers catalogue vixen, her image is at once fun and assertive with a charmingly cheeky edge.
Third album 'Evacuate the Dancefloor', released earlier this year, has seen Cascada expand their musical range, with some tracks coming much closer in style to the glossy R&B of Lady Gaga than the beat-heavy Eurodance of DDR games and fairground rides. Riding high on the success of the title track and first single, they're soon embarking on a Clubland tour with N-Dubz, Darren Styles and Agnes, which includes a date at the HMV Hammersmith Apollo on 5 December.
I caught up with the bubbly Horler on a long-distance phone call to Germany, where she resides, to get the dirt on Cascada's new sound, their upcoming UK tour and her take on London.
Hi Natalie. Firstly, I'd like to clarify: are you considered to be Cascada, or are you the image and vocalist of what is, in fact, a group?
Natalie Horler: We actually are a group. I work with two producers [Yanou and Manian] and the three of us make up Cascada. They just don't come on tour, that's all; I do the whole live bit and they do all the producing. They've always chosen to stay low-profile where I've always been the face of everything, that's why sometimes there's a misconception.
What about the song-writing, is that a collective process?
NH: Yes. Although Yanou and Manian do most of that... Yanou is the brains behind it.
( EVACUATE THE DANCEFLOOR, I'M INFECTED BY THE SOUND... )
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